Francés | Subs: Castellano/English/Português/Français (muxed) -- Adaptado de una crtítica de Dave Kehr para Chicago Reader en 1985
124 min | x-264 1024x432 | 2750 kb/s | 192 kb/s AC3 | 24 fps
2,56 GB
2,56 GB
El padrastro
Rémi
es un hombre que está atrapado en un matrimonio deteriorado. Cuando su
esposa muere inesperadamente en un accidente de tráfico, Marion, su
hijastra de 14 años, decide quedarse con él en lugar de ir a vivir con
su padre biológico. Una vez superado el shock inicial, Rémi se ve
sorprendido cuando Marion empieza a sentirse atraída por él. La belleza y
personalidad de Marion, que él al principio rechaza, termina por
tentarlo...
Una
variante del "mito Lolita", con Patrick Dewaere en el papel de un
pianista de clubs nocturnos filosófico que de repente se encuentra con
una joven enamorada de 14 años en sus manos. Aunque el film tiene una
perturbadora tendencia a descargar toda la agresión y culpa sexual en la
chica (quitando así la responsabilidad al varón), contiene el vigor
habitual de Blier para romper tabúes y mantener a la audiencia
interesada. Gran actuación de Dewaere en una de sus últimas películas.
Stepfather
Remy
is morose, nearing 30 with his career as a musician going nowhere and
his eight-year marriage to Martine souring. Then, Martine dies in a car
crash, and Marion, her 14-year-old daughter, wants to stay rather than
move to her father's. Remy likes the idea: he loves her, he's raised
her, and she offers him emotional responsibility. Marion's father
objects, but she's willful, so he relents. Soon, she tells Remy she
finds him attractive, that she's now "a woman," and why can't they be
lovers. Remy is appalled, but weakens, missing her when she spends
Christmas with her dad. What if they do become lovers? What next? And
what if a woman more his age enters the picture?
A
variant on the Lolita myth, with Patrick Dewaere as a philosophical
nightclub pianist who finds himself with an amorous 14-year-old on his
hands. Though the film has a disturbing tendency to lay all the sexual
aggression off on the girl (thus taking the male off the hook), it has
enough of Blier’s customary taboo-busting vigor to provide a reasonably
unsettling good time. Dewaere’s performance is one of his last and one
of his best.
-- Dave Kehr, Chicago ReaderBlu-ray rip y capturas de endrju (KG)
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